To support Welcoming Cities, a program that helps cities to adopt policies and best practices to attract, retain and harness New Americans and immigrant talent.
To engage residents with the Crowdsource Symphony Initiative - a symphonic portrait of Detroit composed by Tod Machover, produced through contributions and collaborations with the citizens of Detroit, and performed by the Detroit Symphony Orchestra
To support the pilot phase of Passenger Center (PASSENGER), a proposed residency for emerging creative practitioners in Detroit's Capitol Park district, where they can share their work with expanded audiences, markets, and provide a proof of concept for the PASSENGER live/work/create concept.
To build connections between the urban dance communities in Miami and Detroit through master classes in each city and via video conferencing, anchored by Hardcore Detroit and Miami's 6th Street Dance Studio/Whole Project.
To celebrate the do-it-yourself movement in both food and the arts by creating a site-responsive theater piece performed in community gardens around the city
To support Detroit Dance City Festival, a three-day celebration that provides an opportunity for local and national artists to present their work and strengthen ties in Detroit's dance community
To expand the annual Allied Media Conference to include a full music showcase, further exploring the intersection of art and social change
To weave art into people's everyday lives by creating 'Kamishibai Man,' a bicycle-mounted wooden theater - based on a Japanese tradition - where performers use paper art to tell serial stories
To create a post-industrial homage to the Javanese tradition of shadow puppetry through a modern performance with towering, robotic puppets and gongs
To share the traditional dances of Mexico's La Huasteca region by partnering with a local dance group and professionals in Mexico to teach the choreography to Detroiters
To invite the public to experience both dance and classic architecture by producing 'It Never Really Happened,' an intimate performance inside an apartment in the 1950s Detroit high-rise designed by Mies van der Rohe
To celebrate Detroit's former Black Bottom neighborhood by creating a dance piece dedicated to its legacy