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    Between the “boom boom now” and the “boom boom pow” of the Ultra Music Festival, Puccini's ultra-tragic opera, Tosca, opened at the Arsht Center. Unlike the Florida Grand Opera's (FGO) awkward and overly-acted production of Nabucco last month, Tosca soared. It walked a well-choreographed and controlled line between too much...
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    Dessau, das Bauhausgebäude, 02/09/2009. The Bauhaus influence has reached almost all of us in our material worlds, whether it is the streamlined, functionality of a chair or the steel-frame construction of a building. The documentary Bauhaus: Model and Myth (103 minutes, German and English with English...
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    By Fernando González, Miami-based arts & culture writer For the next few weeks, poetry is the language of Miami. But the monthlong O, Miami poetry festival, funded by Knight Foundation, is an ambitious proposition well beyond the literary. This year, the event includes a greater emphasis on Spanish language programming,...
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    Por las próximas semanas, la poesía será el lenguaje de Miami. Pero O, Miami , el festival de poesía de un mes de duración, apoyado por Knight Foundation, es una ambiciosa propuesta que va más allá de lo literario. Este año, el evento incluye un énfasis aún mayor en programas en español, un enfoque en alto relieve en los encuentros entre importantes poetas cubanos viviendo en los Estados Unidos y Cuba. Este año, O, Miami ofrece la oportunidad de escuchar voces como la de Reina María Rodríguez, ganadora en 2013 del Premio Nacional de Literatura de Cuba; Legna Rodríguez Iglesias, una de las principales figuras jóvenes en la poesía cubana; y el grupo multidisciplinario Omni-ZonaFranca. Pero el evento también incluye poetas tales como José Kozer, un nativo de La Habana que vive ahora en Hallandale, ganador en 2013 del  Premio de Poesía Iberoamericana Pablo Neruda ; y Yosie Crespo, nacida en Pinar del Río, Cuba, y ahora residente de Miami, quien en 2011 ganó el premio “Nuevos Valores de la Poesía Hispana” otorgado por Ediciones Baquiana y el Centro Cultural Español.
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    For the next few weeks, poetry is the language of Miami. But the monthlong O, Miami poetry festival, funded by Knight Foundation, is an ambitious proposition well beyond the literary. This year, the event includes a greater emphasis on Spanish language programming, an approach highlighted by encounters among substantial Cuban poets living stateside and on the island. This year’s O, Miami offers a chance to hear voices such as Reina María Rodríguez, winner of the National Prize for Literature 2013 in Cuba; Legna Rodríguez Iglesias, one of the leading young figures in Cuban poetry; and the multidisciplinary group Omni-ZonaFranca, but it also includes writers such as José Kozer, a Havana native now a Hallandale resident, recipient of the 2013 Premio de Poesía Iberoamericana Pablo Neruda (the 2013 Pablo Neruda Ibero-American Poetry Prize); and Yosie Crespo, born in Pinar del Río, Cuba, and now a Miami resident, who won the “Nuevos Valores de la Poesía Hispana” prize awarded by Ediciones Baquiana and the Centro Cultural Español in 2011.
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    The Spektral Quartet. The Western world grows more secular every day, but the rhythms of our concert season are still linked to large religious observances, with things generally wrapping up in early spring with the arrival of Passover and Easter. Two choral concerts this week are...
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    By Juan Carlos Pérez-Duthie The work of up-and-coming Miami filmmaker Monica Peña is generating some serious heat. And that’s due to her cinematic debut, “Ectotherms,” a 65-minute feature film that takes this scientific term, which refers to cold-blooded organisms dependent on outside sources for warmth, and gives it a Miami...
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    Above: Sundance Knight Fellow Monica Peña. Photo credit: Flickr user Miami Film Festival. The work of up-and-coming Miami filmmaker Monica Peña is generating some serious heat. And that’s due to her cinematic debut, “Ectotherms,” a 65-minute feature film that takes this scientific term, which refers to cold-blooded organisms dependent on outside sources for warmth, and gives it a Miami spin. The “ectotherms” in Peña’s movie are this city’s culturally cross-pollinated and disaffected youth. Shot locally over just five days, with no budget, no script (other than the director’s conceptual guidelines) and with a cast of non-actors, “Ectotherms” had its world premiere at the recently held Miami International Film Festival. Then, Variety, one of the most respected entertainment industry media outlets, ran a glowing review of the movie. That a seemingly noncommercial movie like this one can elicit such positive response is encouraging to South Florida’s independent film community—and reinforces the position that you don’t need to move to Hollywood to make interesting cinema. “Knight Foundation grantee Lucas Leyva said something really smart a while ago,” remembers Dennis Scholl, Knight Foundation’s vice president for the arts. “He said, ‘You can go to L.A. and pull cables on somebody else’s film, or you can come to Miami and make your own film.’ That has resonated with a number of very interesting, young, dynamic, independent filmmakers, and Monica represents that. She’s chosen to come back here, try to find a way, make the film she wanted to make, and the results are astonishing.” The 31-year-old Cuban-American director and writer was born and raised in Miami. She attended UCLA film school but never doubted that she needed to be in Miami to give life to her creative vision. “Whether intentionally or not, what’s coming out in a lot of the works from here is sort of this intersection of cultural heritage,” Peña says, “where our connections to our families’ past and culture have been transplanted and transformed here. That intersects with this experience of … growing up in an urban environment and the hardships that can come with that. And then, that also intersects with this very particular landscape that is like no other landscape in the world.”
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    Artists and writers alike need to pin-up their poems. There are so many cool things about the O, Miami poetry festival (a Knight Arts grantee), not the least of which that it crosses many genres and lasts a whole month (April). Now in its third incarnation,...