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    More love from the New York Times this weekend as Knight grantee Tod Machover is the subject of a story about his work developing a new symphony in collaboration with the people of Edinburgh, Scotland.  Fresh off the Toronto Symphony, he is getting ready to debut “Festival City” at the Edinburgh Festival. As the Times’ Corinna da Fonseca-Wollheim wrote: “The piece weaves in city sounds and quotations from the classical works most often performed at the Edinburgh International Festival over the years. Playful, inclusive and driven by a delight in the creative possibilities of computers, it well represents Mr. Machover’s work.”
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    By Laura Zabel, Springboard for the Arts There is a healthy delight to making a salad from the fresh tomatoes, carrots and kale that show up in a Community Supported Agriculture share. There is also a healthy delight in seeing The New York Times and television outlets pick up on...
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    20 female artists feature their performance-video works. Back when video art was still young, a puppy really, in the late 1960s, Joan Jonas emerged and transformed the genre with the incorporation of her own performances in her filmed work. She also paved the way for women...
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    Above: Willie Stewart directs children from the Lauderdale Lakes Education Complex and Musicians of the Heart band. Photo courtesy of Dave Muir of DAVIDiPhoto. Knight Foundation recently released a report, “Why Contests Improve Philanthropy,” about managing open contests. Below, Steven S. Klotz, executive director of the Embrace Music Foundation, writes...
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    Above: Willie Stewart directs children from the Lauderdale Lakes Education Complex and Musicians of the Heart band. Photo courtesy of Dave Muir of  DAVIDiPhoto. Knight Foundation recently released a report, “Why Contests Improve Philanthropy,” about managing open contests. Below, Steven S. Klotz, executive director of the Embrace Music Foundation, writes about the impact a 2010 Knights Arts Challenge prize of $25,000 to “Reggae Ambassador” Willie Stewart had on the development of the organization. Embrace received a $50,000 grant from Knight in 2012. At Embrace Music Foundation, we show kids new ways to appreciate music, and let them learn how the arts can change their lives. While we look ahead to our next series and presentation in October, we haven’t forgotten how we arrived at this moment. The Knight Arts Challenge, an open contest, is a big part of that. “We were coming off our first ‘Rhythms of Africa’ at Miramar ArtsPark in 2009,” said Willie Stewart, Embrace’s chairman and musical director. “The presentation was a spectacular success—people were buzzing for months—but all we had was the program and a hatful of dreams. We didn’t even have our nonprofit corporation, let alone a 501(c)(3). “But here’s the Knight Foundation uniquely challenging every artist and agency in South Florida to step up and pitch their ideas,” he said. “And they make it very easy for everybody, not just the big arts organizations and professional grant writers.” Willie said winning the first challenge led to the creation of the non-profit Embrace Music Foundation, invigorated supporters, encouraged new people to become involved and opened the door to new sources of funding. It seemed like everyone had heard of the Knight Arts Challenge, he said, and becoming a grantee conferred instant street cred.  
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    Little Berlin, the always engaging Philadelphia "undefined exhibition space," is underway with their August exhibition “Growth and Decay.” The show at this Knight Arts grantee heavily explores the nature of, well, nature: biomorphism, living things and organic processes up to and including their eventual breakdown and decay. All of the...
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    “Artistic Relationships: Partners, Mentors, Lovers” at the Bechtler Museum of Modern Art. The Bechtler Museum of Modern Art (a Knight Arts grantee) will launch its new film series, Modernism + Film, this Friday August 16 with the screening of “Niki de Saint Phalle and Jean Tinguely:...
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    One of my most memorable experiences as a child was going to Sea World to see the majestic and seemingly friendly 8,000-pound orca, Shamu, splash the audience when she leapt out of the containment pool. One of my most scarring experiences as a child was watching the 1977 film, Orca:...