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ArticleBy Laura Bruney, Arts & Business Council Why do successful business executives join arts boards and support the arts? The Arts & Business Council of Miami asked that question of Miami’s very own dynamic duo, Dennis Edwards and Mark Steinberg. They define what it means to be good corporate citizens....
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ArticleThe new kid on the theater block, None Too Fragile, is making its presence known through a combination of cool ambiance and intense drama. The fledgling company has set up shop by creating a 40-seat black box theater within Pub Bricco, an established and frequented restaurant/bar located in the Merriman...
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Article"The Red Velvet Cake War" opened on October 12 at Macon Little Theatre. Photo courtesy of Macon Litte Theatre. It's no wonder that October is one of the busiest times of the year for community theater. After all, the month ends with Halloween, which is probably...
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ArticleBy Michael Bolton, Opera Company of Philadelphia On Saturday, October 6, 2012 the Opera Company of Philadelphia treated 2,500 area residents to La bohème on the Mall, a free, open-air broadcast at Independence National Historical Park of the Company’s season-opening production of Puccini’s beloved opera. For the second consecutive year,...
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ArticleCarol Coletta and I were recently invited to speak by the Loeb Fellows to an audience at the Harvard Graduate School of Design on the subject of " creative placemaking" and it's role in revitalizing communities. Carol is the CEO of the Knight-funded program ArtPlace, which works with artists to...
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ArticlePainting from ArtCenter resident John Sanchez. It’s time for the ArtCenter/SouthFlorida (a Knight Arts grantee) to spread its wings. There was nothing really wrong with just showing exhibits in its Lincoln Road-facing space, but it was getting a little lost in the big art crowd. With...
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ArticleBy Angela McQuillan, Little Berlin On Friday, October 5th, a new set of sculptures were installed at the Little Berlin Fairgrounds. This sculpture series entitled "Ancient Structures for a New World" was created by the Cultural Arts Center at the Philadelphia Developmental Disabilities Corporation. The Cultural Arts Center at the...
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ArticleBy Elizabeth R. Miller, Knight Foundation A restaurant on a construction-filled street is doing more than serving up Vietnamese food in St. Paul. It’s quickly becoming a case study for how the arts can create a sense of place. Mai Village sits squarely at the heart of the bustling five-block...
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ArticleOn October 14, the historical West Philadelphia cultural and ecological destination Bartram’s Garden was transformed into a symphony of sounds, samples and visual art for the Switched-On Garden 002. Now in its second year, the artists and musicians at Data Garden in association with DesignPhiladelphia take over the oldest botanical...
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ArticleKudos to the event staff at the Masonic, obviously doing the best they could with capacity far beyond their usual. Over the last decade, and particularly in recent years, Louis CK has stepped up as the outstanding comedian of his generation. Like all the greats he...
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ArticleThe following is part of a series of reports on Knight Foundation's work in the communities where it invests. Above: Light rail will come to St. Paul's Central Corridor neighborhoods in 2014 joining with the Minneapolis Hiawatha line pictured here. When St. Paul’s leaders decided to build a new light rail line connecting the downtowns of Minneapolis and St. Paul, the idea was to help ease commuting and strengthen the local economy. Like many transportation projects across the country, however, the huge, $950 million Central Corridor Light Rail Line could have the unintended effect of destroying the neighborhoods of poor and working class residents living alongside it. St. Paul At a Glance Founded: 1849 City Population: 288,448 Regional Population (including Minneaplis): 3.3 million Median Household Income: $45,439 Diversity Demographics Caucasian/White: 60.1% African-American: 15.7% Asian: 15% Hispanic: 9.6% Age Demographics under 24: 38.9% 25-44: 30% 45+ 31.1% Knight active grants portfolio: 27 projects totaling $10.35 million With Knight Foundation’s leadership, local and national foundations established a coalition to ensure that new development along the corridor would benefit residents and local businesses in addition to attracting new ones. The Central Corridor Funders Collaborative is supporting diverse planning teams that bring together, sometimes for the very first time, government officials, neighborhood advocates, nonprofit leaders, community developers and small business owners to arrive at shared solutions. They are working on key issues directly with the neighborhoods that have the most to gain or lose from this major infrastructure project. These include supporting small businesses during construction, increasing affordable housing, being sure the community has increased access to jobs along the line and is reflected in the workforce doing the construction. The line is expected to be completed in 2014. This work is emblematic of Knight’s commitment to creating informed, engaged communities — residents armed with the data and the networks they need to act in their own true interests. It is a much needed change from how large scale transit projects were done in the past, explains Polly Talen, Knight’s program director in St. Paul and co-chair of the Funders Collaborative. Construction of the I-94 freeway more than 50 years ago devastated a predominantly African American neighborhood and commercial district along Rondo Avenue. Once the thriving heart of the black community, it fragmented when thousands of residents were displaced and local businesses were destroyed. That lesson is at the forefront of the Funders Collaborative’s support of a diverse and collaborative planning process. The group feels strongly that who is involved and how they are involved is critical and as a result is central to what it funds. The collaborative has already invested $6.2 million along the 11-mile line and leveraged many times that, according to Executive Director Jonathan Sage-Martinson. The Funders Collaborative works with many partners, including the Twin Cities’ program of the Local Initiatives Support Corporation, a national community development organization, which considers improving life for residents along the new rail corridor to be central to its work. It recently led a highly participative process with community members to produce a plan for affordable housing in the neighborhoods adjacent to the light rail line. And Knight’s own direct support of LISC helped invest $24 million (and leveraged almost three times that in grants, loans and equity) last year in Twin Cities-based community organizations and individuals to help neighborhoods become or remain high‑quality places to live. Some of its activities include putting a Financial Opportunity Center model into action and creating Frogtown Farm, which provides fresh food, urban agriculture education and green space. “We target specific communities where we know we can make a difference,” says Erik Takeshita, the deputy director of the corporation. “We ask residents what they need and we help make those things possible.” Ensuring there is sufficient affordable housing is just one area where the Funders Collaborative focuses its efforts. Another planning team focuses on contractor and workforce inclusion, helping bring new jobs to the region as it strives to meet state workforce goals mandating minority and female workforce hours. While another team’s work provides access to a small business forgivable loan program, technical assistance, and marketing programs managed by the local chambers of commerce. And because the arts can stimulate economic vibrancy and help create a sense of place, the Funders Collaborative supported Irrigate, a project engaging the city’s cultural community to draw shoppers back to businesses along the rail line. RELATED "How the arts create a sense of place in St. Paul" by Elizabeth R. Miller on Knight Blog As its name suggests, the Funders Collaborative is in fact collaborative by design—made up of both local and national funders—it engages a diverse group of stakeholders in all of its work. This approach builds on a community strength. Researchers say the Twin Cities are the most civically engaged metropolitan areas in the United States. They have above average rates of volunteering, voting and association membership. They are more likely to exchange favors with neighbors, use the news media and discuss current events. A high number - 42% say they trust their local government, 32% feel their leaders represented their interests. Residents are also more likely to volunteer and have strong social networks, particularly online — an above average 64% use the Internet to connect with family and friends. In St. Paul, talking things out works because people believe it will make a difference. Strong networks, active participation, diversity and digital literacy are key elements of another Knight investment run by E-Democracy.org. That group’s goal is to strengthen the participation of St. Paul’s lower and moderate-income communities, especially those along the Central Corridor, through online public neighborhood forums. These virtual places host discussions on public issues like safety, transportation, and education. They promote nothing less than active citizenship, says Steven Clift, E-Democracy.org’s founder and executive director. The project’s goal is to sign up 10,000 members to participate in the forums by the end of 2014. It’s over halfway there with 6,000. “We want to develop dynamic forums that don’t just bring people into the digital realm,” said Clift, “but ultimately lead to more informed dialogues that enable residents to take action on important community issues.”
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ArticleA restaurant on a construction-filled street is doing more than serving up Vietnamese food in St. Paul. It’s quickly becoming a case study for how the arts can create a sense of place. Mai Village sits squarely at the heart of the bustling five-block area known as “Little Mekong” near Minnesota’s State Capitol. Though a local favorite, owners feared that patrons would be scared off by the construction that will make its corner a prominent stop on the Central Corridor light rail line eventually connecting the Twin Cities. But a partnership with Irrigate, which enlists the city’s cultural community in making positive physical, economic and social impacts, is helping prevent that scenario. It brought a local cabaret artist, Mira Kehoe, to perform her “Jazz on the Line” show in the restaurant as an experiment to increase dinner patronage. It worked. Mai Village’s owners say they saw a 40 to 50 percent increase in revenue on nights Kehoe performed and are now contracting with her to perform into the future. The restaurant also is hosting other groups like Happy Cabaret and Soullections, which perform live music. RELATED LINK "St. Paul residents get their say, in a rail line and their future" by Elizabeth R. Miller on Knight Blog The performances are examples of how local artists are working with businesses to boost the community’s cultural vibrancy and bring shoppers back to the avenue during construction. Knight’s Vice President/Arts, Dennis Scholl, explains this is creative placemaking. He defines it as “art, culture and creativity, expressed powerfully through a specific place, that can create vibrancy,” and it’s already finding a home in St. Paul. Irrigate, a partnership of Springboard for the Arts, the City of St. Paul and Twin Cities LISC, was designed to help further the concept. So far it has trained more than 300 local artists to collaborate with businesses, community groups and organizations. The project was one of the first and largest awards made by ArtPlace America, a collaboration of 10 leading regional and national foundations (including Knight), federal agencies and banks working to accelerate creative placemaking.
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ArticleBy Aaron Dworkin, The Sphinx Organization Nationally, Blacks and Latinos represent approximately 4.5% of American orchestras today. The Sphinx Virtuosi is a conductor-less ensemble of soloists composed of top young string musicians of color from across the country (formerly known as the Sphinx Chamber Orchestra). Their mission is of a...
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ArticleFive years ago, Knight Foundation took a leap of faith and launched the Knight Arts Challenge, a $40 million initiative to accelerate the momentum in South Florida’s cultural community. We called it a leap of faith because the arts challenge was one of Knight Foundation’s first contests. We knew we didn’t have a corner on the market for innovative arts ideas. By opening up the process, and asking the community for their best ideas for the arts, we thought we could use the challenge as a magnet to pull good ideas out of the region’s most creative thinkers. Each year, we have been taken aback by the number of ideas we have received, and have funded 110 to date for projects by small cultural start-ups and big institutions and nearly everything in between. As a regular part of our work, though, we often review our initiatives midstream, to see how they've progressed and how we can improve them. We hired AEA Consulting to pore through the data and to interview members of the arts and cultural community. The result is Building the Arts in Miami, a new multimedia report available at knightarts.org/report that we’ll unveil at the Grantmakers in the Arts Conference in Miami Beach this afternoon. It features insights and recommendations for the challenge, and also profiles of grantee projects that give a great overview of the achievements of South Florida's cultural community. Here are some of the key insights: Reaching a Diverse Pool: In total we've received 5,299 applications in the first four years of the challenge. The pool of applicants itself has been varied - ⅗ of the applicants aren’t even traditional nonprofits, but individual artists, businesses, public agencies and the like. That’s likely because of the simple application process that asks just three questions in the first round. Geographically, while winners have been concentrated in Miami Beach and the Wynwood Arts District - Miami's cultural center - we have had winners from a wide swath of the county. Fueling South Florida’s Creative Zeitgeist: When we surveyed artists in Miami, Knight Arts Challenge applicants and finalists in the challenge, the majority said South Florida has become culturally vibrant over the past five years. Some 63 percent of those surveyed indicated that the Knight Arts Challenge has made an important contribution to this trend. Perhaps most interestingly, the challenge funding has had the biggest impact on individuals, start-ups and less prominent organizations that benefitted from the visibility and reputational boost. Gean Moreno, who launched an art book publishing company, said that winning the challenge forced him to think strategically about how to make his idea a reality. Since launching, [NAME] Publications has been invited to present at the New York Art Book Fair and the NADA Fair.
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ArticleBy Abdo Sayegh, TU Dance TU Dance performed twice to a full house at the Fall For Dance Festival in New York City. Uri Sands and dancer Yusha Marie Sorzano danced High Heel Blues, a sassy, playful, utterly comedic duet based on a woman’s desire for shoes that she knows...