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Article“Opera is accused of being a ‘museum’ art form, so world premieres are a big deal — there just aren’t that many of them these days,” says the American correspondent for "Opera News," speaking at the press meet-and-greet before the final dress rehearsal of Minnesota Opera's newly commissioned production, “Silent...
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ArticleTune into WLRN (channel 17) Thursday, Nov 17 at 10pm for an insider exploration into Miami's art scene. Billed as "an intimate look at a young city with an old soul," Scissors and Glue: The Miami Project interviews local luminaries including Bonnie Clearwater, executive director at chief curator at MOCA;...
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ArticleCharlotte ARTery is a small, but growing, local, artist-run collective leveraging marketing and business resources to provide a venue for emerging and mid-career Charlotte area artists. It has core members and guests who exhibit in each of its handful of shows throughout the year. This month, you can experience an...
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ArticleInkub8's monthly Inkub8r Open-Studio Series continued last Saturday with a “wet” and “dry” performance of “To Do or Not To Do,” a multimedia, multidisciplinary collaboration with performer and choreographer Carlota Pradera and experimental electronic musician Nicole Martinez. The...
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ArticleStockholm Subway Image via Wacky Owl This post, written by Knight Foundation Arts Program Associate, Tatiana Hernandez, was originally published on the Americans for the Arts' Blog. The Animating Democracy blog salon on ARTSblog.org sought answers to a very big question: what will it take to move and sustain arts and culture in community development, civic engagement and social change? The 21st century is all about intersections, networks and hybridity. Our goal should be to ingrain arts in community development through cross-cutting projects that seek to anchor people to place. Carol Atlas nailed it by highlighting Arts & Democracy’s new book: Bridge Conversations, People Who Live and Work in Multiple Worlds.
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ArticleIt’s a weekend for the slightly unusual, beginning with Florida Grand Opera’s first-ever mounting of a zarzuela, and a quirky recital program Sunday that features a beautiful instrument that hardly anyone plays....
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ArticleBy Val Renner, Akron Civic Theatre The month of November has been a productive one for the Akron Civic Theatre. On November 6, 2011 The Firestone High School Theatre Dept presented School House Rock Live, Jr. The Emmy Award-winning 1970s Saturday morning cartoon series that taught history, grammar, math, science...
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ArticleBy Craig T. Peterson, Philadelphia Live Arts’ Director Live Arts Brewery In October the Live Arts Brewery, better known as the LAB began our third year of activity at our home in Northern Liberties. The new Fellows met for the first time to discuss our coming year together, the work...
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ArticleBy Leslie Johnson, Astral Artists Astral Artists talked with flutist Julietta Curenton, an Astral artist who makes her Philadelphia recital debut on February 18, 2012 as part of Astral’s Spiritual Voyages Festival, supported by Knight Foundation. The festival is a three-concert event celebrating the musical expression of African-, Asian-, and...
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ArticleI am beginning to suspect that Detroiters have short-term memory for how the city is changing. It's hard to believe that the Burton Theatre opened its doors only two years ago as the only...
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ArticleThe dual exhibit at LGTripp Gallery showcases two different Philadelphia artists with colorful techniques. First, Matthew Stemler exhibits a new site-specific installation, entitled “Flotsam,” in the front half of the gallery. In the back part, Raphael Fenton-Spaid displays recent tiled painting work. [caption id="attachment_28216" align="aligncenter" width="574" caption="Matthew Stemler, "Flotsam," wood,...
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ArticleIn South End, there are currently a couple of outstanding shows of local artists. Within blocks of one another, is a concentration of some of the best art being created in the Charlotte area. Charlotte Art League, in conjunction with the energy company Siemens, presents “The Power of Innovation: Art...
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ArticleThis post, written by Knight Foundation Arts Program Associate, Tatiana Hernandez, was originally published on the American for the Arts' Blog. People have looked to the arts to help define their communities and create a sense of place for generations. So, why are we so excited about creative placemaking today?...
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ArticleA panorama of Haas&Hahn's work in Colombia. Image by Haas&Hahn via Favela Painting This post, written by Knight Foundation Arts Program Associate, Tatiana Hernandez, was originally published on the Americans for the Arts' Blog. People have looked to the arts to help define their communities and create a sense of place for generations. So, why are we so excited about creative placemaking today? Perhaps it has something to do with context. In this digital world, many are reexamining the fundamental nature of “community” and our relationship to place. We now know, based on findings from the Knight Soul of the Community report, that social offerings, followed by openness and aesthetics explain why we love where we live. What does that tell us about the essential importance of our connection to place? “Vibrancy” is popping up as a way of describing the intangible nature of a neighborhood’s character. Here are three projects working to help define a sense of place in each of their communities. Philadelphia has a strong tradition of mural work, and thanks to Mural Arts, artists and residents continue to come together to help define “home." As part of their Knight Arts Challenge project, Mural Arts brought two Dutch artists, Haas&Hahn, to North Philadelphia to live, work and engage the community around a large-scale mural that will span several blocks of Germantown Avenue. Known for their abstract, colorful work in Santa Marta (Rio de Janeiro), Haas&Hahn will involve residents in the actual painting. They will begin training “team leaders” this fall before tackling the challenge of painting Germantown Avenue. I recently spent a (wet!) morning in Philadelphia with Dre Urhahn. He explained to me why he and his partner, Jeroen Koolhaas, were attracted to abstract work. “Traditional [figurative] murals tend to tell the story of what a community is or has been, abstract images are more likely to inspire a community as to what it can be.”
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ArticleIf you want to know how to get to heaven, get in line at The Stage in Miami's Design District on Nov. 12 at 9 p.m. for David “LEBO” Le Batard's “Three Steps Toward Heaven,” a live improvisational performance painting series staged in three parts. [caption id="attachment_28184" align="aligncenter" width="549" caption="LEBO...