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ArticleBy Angelica Arbelaez, Locust Projects Locust Projects will produce a major new installation by New York-based artist Daniel Arsham in his hometown, Miami. For the installation, entitled Welcome to the Future, Arsham transforms the gallery into an excavation site, digging a trench in the gallery’s floor that holds thousands of...
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ArticleWang Qingsong, "New Women." The Frost Art Museum is opening up its two main Art Basel-time shows tomorrow – they couldn’t be more different, but both have real heft. “Wang Qingsong: ADifinitum” is the freshest, with huge photographic prints covering the entire third floor from the...
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Article"Open Government: State of the Union" panelists (from left to right): Kathy Conrad, Andrew Hoppin, Waldo Jaquith, Seamus Kraft and John Bracken. Photo courtesy of the Paley Center for Media. Digitizing government data aids the everyday decision-making of ordinary people. Nevertheless, users of that data can’t always readily access government information nor employ it in ways that boost civic involvement and hold government accountable, or help create the kinds of communities they desire. That was the broad consensus of tech developers, community organizers, government watchdogs, government officials and others at “The Next Big Thing in Open Government,” a forum co-sponsored by Knight Foundation and The Open Society Foundations at the Paley Center for Media in Manhattan Thursday. “We were founded on the [ideal] that government can work ‘for the people’ and ‘by the people’ but only if we make it so,” said the event’s keynote speaker, Jennifer Pahlka, founder and executive director of San Francisco-based Code for America, a Knight grantee. To be sure, there have been strides in local, state and federal government efforts to make it easier for the average Jane to view and download information on such far-flung subjects as education, elected officials, the environment, health, human services, policing and so forth. But that system of providing information remains piecemeal, varying in quality, content and intent from locale to locale and, sometimes, from agency to agency within states and on the federal level, experts said.
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ArticlePhoto: Mike Boening on Flickr.com Knight Foundation is looking forward to being part of Detroit’s future. Our commitment comes from our past; Knight Newspapers and later Knight Ridder owned the Detroit Free Press for 65 years, helping inform and engage the community. Knight’s pledge to the Grand Bargain was our biggest commitment to date, and it comes in addition to, not in place of, our ongoing investments in the arts, community and journalism in Detroit. A statement to the people of Detroit and Michigan from a foundation working group, which includes the Community Foundation for Southeast Michigan, William Davidson Foundation, Fred A. and Barbara M. Erb Family Foundation, the Max M. & Marjorie S. Fisher Foundation, Ford Foundation, Hudson-Webber Foundation, Kresge Foundation, John S. and James L. Knight Foundation, McGregor Fund, W.K. Kellogg Foundation, Charles Stewart Mott Foundation and the A. Paul and Carol C. Schaap Foundation: We are pleased with Judge Rhodes’ ruling that the plan of adjustment is fair and feasible, and glad that the City of Detroit has moved swiftly to resolve the bankruptcy and hasten the start of a new era. As foundations with deep ties to the region and a shared commitment to its future, we are proud to have contributed to a plan that helps put Detroit back in the starting blocks.
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ArticleThis article is cross-posted with permission from NextCity. If I could sum up my biggest problem with the current discussion around revitalizing and reenergizing our city centers across America, it’s this: too much Facebook, not enough flannel. I’m talking about that most neglected of demographics, Generation X. When civic innovators talk about revitalizing downtowns, we often talk about attracting and retaining talent. And when we talk about talent, you can be sure that we’re almost always talking about millennials, with occasional references to those highly skilled, empty-nest boomers. Millennials are “desirable” to marketers and to employers. While studies show that both millennials and Gen Xers — Americans born between 1965 and 1980 — are facing significant debt, Gen Xers have nearly six times the debt of our parents, and only 36 percent of us have exceeded our parents’ net worth. Referring to a recent Pew report on Gen X’s shaky financial security, generations expert Neil Howe noted that while millennials still have time to build wealth, “the generation I worry about is Gen Xers.” If you want a booming city, it seems, don’t go courting Gen X. But when it comes to building communities, Gen X, the latchkey generation — my generation — is an untapped resource. We trust networks — the neighborhood blocks that raised us — more than we trust hierarchies, and we are skilled builders of invisible infrastructure. Cities readily invest in physical infrastructure, pipes and roads and electrical lines, but the invisible social infrastructure — openness and healthiness in the interactions of the community — is also vital to making a city attractive to talented people, safe to explore at night, a worthy place to raise a family.
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ArticleDave Eggers took Detroit by storm this week, with a presentation at the 2014 Richard C. Van Dusen Urban Leadership Forum at Wayne State University, titled “Buccaneers, Robots, Yetis, and Other Agents of Social Change.” The title of the presentation refers to the eclectic storefronts that act as an interface...
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ArticlePhoto: Hattie Mae Williams dancers in "Miami Sites Project" at Miami Marine Stadium. For dancer and choreographer Hattie Mae Williams, the question is not whether all the world’s a stage but why shouldn’t it be? She has taken her self-described guerrilla approach to dance performances to supermarkets and churches, subway platforms and cemeteries. “Culture Concrete,” her site-specific dance film project staged and shot at historic, and long-closed, Miami Marine Stadium, premieres Saturday, Nov. 15, at The LAB Miami in Wynwood. “Culture Concrete” is part of Williams’ Miami Sites Project, a 2013 Knight Arts Challenge Miami winner. It includes not only dance and film but music, photography and installations. In fact, Williams and her company, The Tattooed Ballerinas, will dance at the showing of The Miami Sites Mini Episodes series, short videos featuring guerrilla dance performances at places such as Target and bus stops, at Miami Book Fair International on Nov. 21. The project also includes plans to celebrate another historic place in South Florida, the 90-year-old Venetian Pool in Coral Gables. The idea is not only to explore the history and current life of these places, but, as she puts it, “reclaiming and reframing spaces through site-specific/context-specific dance, film, photography and narratives.”
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ArticleIt always feels tricky to write about a movie house, even a wonderful independent film-centered one like Nightlight Cinema, a Knight Arts grantee. The films turn over regularly, so it’s not like a single event or a three-week stint of a play. Now and then, though, a reminder about a...
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ArticleActors Finn and Blamy in Theatre Charlotte's "To Kill a Mockingbird." The Queen’s City community theater, Theatre Charlotte, has succeeded again in presenting a stirring production of “To Kill a Mockingbird.” Harper Lee’s novel is one of the most popular coming-of-age stories in Southern literature, and...
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ArticleHuman beings are far from the only creatures that construct habitations for themselves, but the process of architecture certainly poses significant challenges that other species are blissfully ignorant to. At the Philadelphia Art Alliance, these very same obstacles become objects for alteration, investigation and amusement at the hands of artist...
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ArticleAn ICFJ-sponsored town hall on "Health News that Engages Citizens and Communities" in Nigeria. Photo from ICFJ on Flickr. Joyce Barnathan is president of the International Center for Journalists, which Knight Foundation supports to advance excellence and innovation in journalism. As the International Center for Journalists celebrates its 30th anniversary this year, we have our eyes on the future. Like our flagship program, the Knight International Journalism Fellowships, ICFJ isn’t content to simply keep up with or react to new developments. Instead, we drive news innovation. We help our partners in the field harness the power of digital media, the Internet and data to deliver the information that people need to make informed decisions and live better lives. ICFJ staffers bring deep international experience to their work, whether they were born abroad, served as Peace Corps volunteers, worked as former Knight Fellows or reported overseas for BusinessWeek, USA Today, NPR and other news outlets. What’s more, we actively seek out, recruit and partner with the most probing journalists and most promising innovators in each region.
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ArticleThis article is cross-posted with permission from ONA. Music, maps and mold. That may not entirely sum up what we were shooting for when we opened applications last year for the first Challenge Fund for Innovation in Journalism Education, but it comes close. The $1+ million competitive fund, aimed at seeding experiments in J-schools, received 125 entries in its first year from schools hoping for the resources to reinvent their curriculum and local news. The dozen schools selected each won $35,000 micro-grants by highlighting collaboration, innovation and solid planning. Winning teams included some combination of students, researchers, media professionals, educators, developers and designers, all focused on community engagement. The Challenge Fund is the brainchild of a collaborative that includes the Excellence and Ethics in Journalism Foundation, the Robert R. McCormick Foundation, the John S. and James L. Knight Foundation, and the Democracy Fund, This year, the Challenge Fund is expanding with additional support from the Rita Allen Foundation.
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ArticleVideo: Meet Madison, a collaborative policy drafting platform. Seamus Kraft is the co-founder and executive director of The OpenGov Foundation, as well as a 2014/2015 Shuttleworth Foundation Fellow. Related Link "Communities will be able to see, track and participate in lawmaking online with $750,000 in new Knight Foundation support to OpenGov Foundation" - Press release "Paley Center’s ‘Next Big Thing’: Open Gov" by Erin Gromen on Knight Blog “Once people can get their hands on [their local laws and legislation], they can say, ‘Oh, wait. I don’t agree with this one, or we can make this better’...That’s a revolution in the way laws are changed.” -- Liana Derus, San Francisco State University student and SanFranciscoCode.org Community Member Since launching The OpenGov Foundation in early 2013, we’ve been working towards the future so eloquently painted by Liana--one in which all Americans can access, understand and participate in the decisions that affect their lives. To get there, we need to refashion the very core of our local, state and federal democracies--the laws, legal codes and lawmaking process itself.
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ArticleBy Christina Catanese, Director of Environmental Art, Schuylkill Center for Environmental Education The action of going forward or onward in space or time. A method of doing or producing something. A continuous series of actions meant to accomplish some result. A movement toward a goal or to a further or...
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ArticleThis Saturday’s Miami Mini Maker Faire will introduce young people and their families to the larger maker movement that’s happening across the globe. Photo from 2013 Mini Maker Faire by Michael D. Bolden. The pulse of Miami’s creative talent will be felt in the streets of Wynwood this Saturday. More than 90 exhibitors -- most of whom are from South Florida -- will celebrate the latest inventions in art, technology and design alongside more than 3,000 attendees at the Miami Maker Faire. According to organizer Ric Herrero, maker faires are one way of attracting and retaining talented people in the city, one of the focuses of Knight Foundation, a sponsor of the Maker Faire for the second year. This solution takes shape in the form of new-age robots, 3-D printers, video games and other utilitarian innovations. It’s a city-of-the-future experience that one must experience to fully comprehend.