• Article

    Published by

    A recent panel at the Milken Institute Global Conference assembled several thought leaders to discuss connecting youths from “low-opportunity” communities with the demand for technologists in the digital age. Van Jones, co-founder and president of Rebuild the Dream and former White House environmental adviser, moderated the panel titled “YesWeCode: Training NextGen Technologists. Speakers included Joi Ito, a Knight Foundation trustee and director of the MIT Media Lab; Trabian Shorters, founder and CEO of BMe Community, a Knight Foundation grantee; Mitch Kapor, a partner at Kapor Capital; actor Chris Tucker, founder of the Chris Tucker Foundation; and Laura Weidman Powers, co-founder and exexcutive director of CODE2040. The thought-provoking panel explored what Jones described as “the skills mismatch” in America, where there are more available jobs in the tech sector than there are people available to fill them, while in other sectors there are too few jobs.
  • Article

    Published by

    To end its fifth-year season, ARTtuesdays/Miami will talk all about Opa-Locka. That is the city in Miami-Dade with maybe the most eccentric architecture in Florida, and that’s saying something. Although the name derives from a Seminole word, the Moorish Revival-style buildings are meant to evoke Arabian Nights and Middle Eastern...
  • Article

    Published by

    Maybe it isn’t always true, but it seems to be – when you watch a French farce (like “Don’t Dress for Dinner,” currently being presented at Weathervane Playhouse, a Knight Arts grantee), you can pretty much expect lots of sexual innuendo, and invariably in the form of marital infidelity. And,...
  • Article

    Published by

    Photo credit: Robertson Adams. Today reviewers are gathering in Miami to help Knight review the 56 semifinalists in the Knight News Challenge on strengthening the Internet. By the end of the day we expect to have a group of finalists that we’ll examine more deeply over the next few weeks. The next public announcement will be that of the winners, on June 23, at the MIT-Knight Civic Media Conference in Cambridge, Mass. Finalists can expect to hear from us next week. We may also follow up with several projects individually if we feel it is better suited to another funding option at Knight.
  • Article

    Published by

    Above: A farmer's market along St. Paul's Green Line. “What’s your dream for life along the new Green Line?” That’s the question Knight Foundation posed to the 1,000 civic leaders and community members at Saint Paul River Corp.’s third annual Great River Gathering Thursday night. There were plenty of responses, a clear indication there are no shortages of hopes and dreams in this community as we prepare for the opening of this major public transportation investment. The question wasn’t posed to simply pique the interest of the crowd; rather, it was the stage-setter for the announcement of Knight’s Green Line Challenge, a three-year, $1.5 million investment in projects to make St. Paul’s Central Corridor neighborhoods even more vibrant places to live, work, play and visit. As co-founder and investor in the Central Corridor Funders Collaborative, Knight is keenly aware that there are many dreams for life along this new Green Line and that numerous groups are working hard on corridor-wide strategies to create the right conditions in which those dreams can become a reality. This challenge is intended to help make even more of those dreams come true.
  • Article

    Published by

    By Anne Ewers, Kimmel Center President and CEO We were thrilled that the Kimmel Center’s inaugural theater residency premiered the work of OBIE winning playwright Deb Margolin on April 25. 8 Stops marked the culmination of an impactful theatre residency in SEI Innovation Studio that would not have been possible...
  • Article

    Published by

    "Resonancias," presented by FUNDarte's Miami On Stage: Knight New Works Series, opens May 8th and 9th, at the Miami Dade County Auditorium On.Stage Black Box Theater. Jose Luis Rodriguez. The performance is an interdisciplinary and multicultural collaboration conceived by Flamenco guitarist and composer Jose Luis Rodriguez....
  • Article

    Published by

    Knight Sounds. Carnivale comes to the Queen City with the Charlotte Symphony Orchestra’s performance of Saint-Saens’ “Carnival of the Animals” and an excerpt from Vivaldi’s “The Four Seasons” on May 9th at 7:30 p.m. in the Knight Theater. Tickets are $29 and include a free drink....
  • Article

    Published by

    The journey and the destination are one in the same at Practice Gallery with an interactive project by the Institute for New Feeling (IfNf). Here, the gallery becomes a vehicle for renewal as much as for movement, contemplation, and interpersonal connection. Nina Sarnelle brings her “Walk Together” concept to Practice...
  • Article

    Published by

    Derek Douglas is the vice president for civic engagement at the University of Chicago. Below, he writes about the Place Project, a national model for revitalizing communities through arts and culture supported by Knight Foundation. Above: Student Nkosi Barber, 20, of Chicago uses a saw in the carpentry workshop for the Design Apprenticeship Program (DAP) at the Arts Incubator in Chicago, Friday, June 14, 2013. Photo by Bonnie Trafelet. As an urban research university located in one of America’s largest metropolitan areas, the University of Chicago is deeply enriched by the city we call home. We are also deeply invested in it—and in how what we do here can impact other cities around the world. Many of the UChicago’s top scholars have devoted their efforts to the improvement of urban health, access to jobs, housing, education and public safety, with an eye toward establishing best practices. The arts are also an essential element of our broad social commitment. We believe arts and culture have the power to bring communities together and enhance the vibrancy and economic vitality of neighborhoods. RELATED LINK "Place Project spreads artistic model of resident engagement to new communities"  by Theaster Gates on KnightBlog The Place Project is the UChicago’s latest investment in that belief and is aimed at testing a model for community development that supports arts and culture to transform communities and, importantly, expanding that model to communities across the country. This project will be led by Theaster Gates, who has pioneered work in this field. Trained as a multimodal artist and an urban planner, Theaster is recognized internationally as a leader in harnessing the power of arts and culture for positive transformation of underinvested neighborhoods. He is also director of Arts and Public Life, an initiative created by the UChicago in 2011 to strengthen its connections with the civic, cultural and artistic communities of the South Side. In March 2013, UChicago launched the flagship project of Arts and Public Life, the Arts Incubator in Washington Park, a dedicated space—envisioned by Theaster—for artists to grow professionally and to connect to the surrounding community. The Arts Incubator is one of the ways UChicago is aiming to be a catalyst for strong neighborhoods in the heart of Chicago’s South Side and to more deeply engage with our community as an anchor institution. Already, it has been an exciting opportunity for rich partnerships. In just a year, it has become a model for university investment in social and cultural innovation in Chicago and throughout the country.
  • Article

    Published by

    Theaster Gates, an urban planner and sculptor, is director of the Arts and Public Life initiative at the University of Chicago. Below, he writes about the Place Project a national model for revitalizing communities through arts and culture supported by Knight Foundation.  Above: Artist-in-residence avery r. young, Tina Howell and Yaw sing with the group Low Tide during the evening reception at the Arts Incubator Friday, March 8, 2013, in Chicago's Washington Park neighborhood. Photo by Robert Kozloff. I grew up on the West Side of Chicago. For years, I watched building after building get torn down around me. At the time, it always seemed like there was a good reason. If something bad was happening in a place—whether it was drugs or prostitution or violence or just the potential for violence—the easiest thing to do was to tear down the building. People are always looking for the quick fix for urban problems—problems that have been, in some cases, six or seven decades in the making. But tearing down buildings  isn’t a solution to the bigger issues troubled neighborhoods face. RELATED LINK "University of Chicago taps creative energy of artists for creative projects" by Derek Douglas on KnightBlog.org As an undergraduate, I became very invested in the idea that people from neighborhoods like the one where I grew up on the West Side should have some responsibility for those places—because maybe nobody else would. In that sense, the start of my work in creative place-making had everything to do with nostalgia and a sense of duty toward the neighborhood where I grew up. In some ways, I think it started with an urgency to imagine that beautiful things might happen in that neighborhood. Tearing buildings down is quick. Changing neighborhoods by activating abandoned buildings through art—the kind of community engagement I do—takes time. Still, the beauty of this kind of community engagement is that, once it starts, and once the right structures are in place, it just happens.
  • Article

    Published by

    Ellen Miller is executive director and co-founder of the Sunlight Foundation, a leader in developing Internet tools that promote transparent government. With the input of Miller and other thought leaders, Knight Foundation is launching OpenGov and You, a companion to the 2013 Aspen Institute Forum on Communication and Society (FOCAS) that explores how we might tackle the obstacles to government openness and transparency. How do people want to engage with government and what would best expand citizen engagement, participation and demands for accountability? These are all questions now topmost in the mind of everyone working in the OpenGov community. During last summer’s 2013 Aspen Institute Forum on Communications and Society, leaders of the open government movement dove into some honest and contemplative conversations about who we serve, how to engage citizens in the work of opening and engaging with government. And no one disagreed, as the subsequent report stated: We must start with a more sophisticated understanding of “the citizen.” Related Link "Taking the next steps for open government" by Waldo Jaquith on KnightBlog At the Sunlight Foundation, we very much began by letting 1,000 flowers bloom, developing many products that were designed to appeal to the online active citizen. In our eight years of experimentation we have come to one clear conclusion: We must be more strategic, and rather than develop projects based on what “we” think will be attractive to the users, we need to test our assumptions with our intended audiences. We need to apply human-centered design processes to fully understand what our audiences want and need—and why. Since our goal—and that of most of our colleagues—is to use technology to engage more people with their government and their officials, we need to understand their needs to make engagement easier, more meaningful and more significant.
  • Article

    Published by

    Photo credit: Flickr user Will Vanlue. Next week we’re convening leaders in several fields from across the United States to talk about ideas that can make our cities better. This Civic Innovation in Action Studio will discuss ways we can program places to harness talent, advance opportunity and improve engagement. We hope to emerge with ideas we can put to the test in communities around the country. Harriet Tregoning knows more than a little about these issues. As the former planning director for the city of Washington, D.C., she helped lead that city’s transformation into a resurgent urban center. Now she’s working for the U.S. Department of Housing and Urban Development as director of its Office of Economic Resilience. I asked her to share her thoughts on some questions we’ll be considering May 12-14 in Miami. Research shows that residential communities that are segregated by income are particularly likely to have low rates of upward economic mobility, and income segregation is on the rise. How might we nudge behavior to change this trajectory and increase the income diversity of neighborhoods? RELATED LINKS "Putting ideas into action to build better cities" by Carol Coletta on KnightBlog "Learning Lab gathers ideas on promoting community engagement" by Carol Coletta on KnightBlog "Learning Lab gathers ideas on making the most of talent in our cities" by Carol Coletta on KnightBlog "Boston adopts new tools to engage residents in civic life" by Nigel Jacobs on KnightBlog "Scaling an Etsy Economy for a changing workforce" by Dana Mauriello on KnightBlog H.T.: In many neighborhoods now, there is a mismatch between the existing building stock and the current demand for housing. Despite the fact that one to two generations ago, households were 50 percent larger than they are now, local zoning can act to limit affordability and exclude even historic levels of population. Households are now much smaller than they were a generation or two ago. That means a potential opportunity to adapt that older housing stock to a new multifamily reality, if the zoning allows it. That might mean what is currently a single-family, four-story row house could become two two-story flats or four one-story flats. That would restore historic levels of density but also allow higher levels of affordability because the smaller units would not be as expensive as a large single-family house.  Another way to increase income diversity is to allow “accessory dwelling units” otherwise known as granny flats, basement apartments or garage apartments. These granny flats help increase the affordability for the owner of the property by bringing in additional income, but also allow a much smaller, less expensive dwelling unit to exist in the same neighborhood. Without changing the character of neighborhoods, accessory units increase density and affordability.  
  • Article

    Published by

    Photo credit: Two Parrot Productions. From a distance, the choice of rapper Armando Christian Pérez, aka Pitbull, to make the closing keynote remarks of the first eMerge Americas Techweek, a six-day-long tech expo which started with a series of events on Thursday and culminated with keynotes, panels and other sessions at the Miami Beach Convention Center on Monday and Tuesday, must have seemed, well … so Miami. As it turns out, Pitbull’s engaging persona, a mix of charming, streetwise rogue and smart, hard-working businessman, suggested the embodiment of the Miami that the organizers of the event wanted to project. Put simply: Yes, we have the sun and the fun, but we are open for (tech) business too. “People think Armando is a fun-and-party guy, which he also is,” said Manuel D. Medina, chairman and CEO of Medina Capital and the key organizer behind the event, acting as host and interviewer. “But one of the things that really impressed me about Armando was [his] work ethic.”