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    Installation shot of Shades of History. Like the Caribbean region itself, PAMM’s latest exhibit, “Caribbean: Crossroads of the World,” is diverse and densely populated, with artworks spanning hundreds of years and multiple styles. There is 19th-century painting, and 21st-century video; representational canvases and more abstract sculpture....
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    “I am Offering This Poem” via YouTube Va a ser difícil  que los que defienden el poder transformador de la palabra escrita encuentren un argumento más potente, o conmovedor,  que la historia de vida del poeta Jimmy Santiago Baca. RELATED LINK "From prisoner to poet: Jimmy Santiago Baca appears at O, Miami" by Fernando González on KnightBlog.org Su niñez sugiere un cuento de Dickens ambientado en el Suroeste Americano. Baca nació en el campo, en New México. Sus padres eran de descendencia Apache y Mexicana. La familia, la cual incluía padre, madre un hermano y una hermana, vivían todos en una chabola de dos cuartos. A los dos años, sus padres lo abandonaron y tuvo que irse a vivir con una de sus abuelas. Pero ella no podía cuidarlo y las autoridades eventualmente se lo llevaron y lo pusieron en un orfanatorio. De allí escapó cuando tenía 11 años y por los próximos años vivió en la calle. En una entrevista con Las Americas Journal, Baca, 62, contó que “para cuando cumplí 16 años ya había estado en la cárcel del condado por agresión y asalto a la policía alrededor de 20 veces”. A los 18, estaba encarcelado sirviendo una condena de cinco a 10 años en una prisión de máxima seguridad en Arizona por posesión de droga con la intención de distribuir. Terminó cumpliendo seis años y medio de su condena, tres de ellos en confinamiento solitario, la respuesta institucional a su pedido de aprender a leer y escribir y tomar su examen de GED. Pero para entonces Baca, quien estará leyendo en Books & Books el domingo 27 de abril como parte del programa del festival de poesía O, Miami,  ya estaba decidido a cambiar el rumbo en lo que hasta entonces parecía un camino ya pre ordenado.
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    “I am Offering This Poem” via YouTube Those who argue for the transformative power of the written word will be hard pressed to find a more potent, or moving, argument than the life of poet Jimmy Santiago Baca. RELATED LINK "De prisionero a poeta: Jimmy Santiago Baca lee en O, Miami" by Fernando González on KnightBlog.org His childhood story suggests a Dickensian tale set in the American Southwest. Baca was born in rural New Mexico of parents of Apache and Mexican descent. The family—his mother, father, brother and a sister—all lived in a two-room shack. When he was 2 years old, he was abandoned and ended up living with one of his grandmothers. But she was unable to care for him, and the authorities eventually placed him in an orphanage. He ran away when he was 11 years old, and for the next few years, he lived by the rules of the street.   In an interview in Las Americas Journal he recalled that “by the time I was sixteen I had been in the county jail maybe about twenty times for assault and battery with the police.” By 18, he was in prison serving five to 10 years in a maximum-security prison in Arizona for drug possession with the intent to distribute. He ended up serving six and a half years in prison, three of them in isolation, the institutional response to his having expressed a desire to learn to read and write and get his GED. But Baca, 62, who will be reading at Books & Books April 27 as part of the O, Miami poetry festival, was now focused on walking away from what seemed a prearranged path.
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    Stephen Goldsmith is director of the Center for the Living City and an associate professor at the University of Utah. Through a partnership with Knight Foundation the center is publishing an English edition of “Urban Acupuncture,” a guide to help civic leaders tackle community challenges written by Jaime Lerner, former mayor of Curitiba, Brazil. Photo credit: Chelsea Gauthier. Walking from the Bus Rapid Transit stop toward Jaime Lerner’s office a few blocks away last October we were struck by the civility of Curitiba’s streets. One of Lerner’s many legacies is his attention to streets, their multiple uses, their democracy, and as urban activist Jane Jacobs described them, “the ballet of the sidewalks.” Our observations, magnified by contrast with the auto-dependent North American cities where my students live, were about to become part of our conversation with Lerner. Today, Lerner is an internationally renowned architect, working with a team of young practitioners in an office he refers to as “a clinic.” He consults on projects in cities worldwide, and 15 of my university students from multiple disciplines had been invited for coffee with him to talk about urban ecology. As we rounded the corner to his building, elegant as it was modest, we were about to have a transformative conversation. Stepping into the boardroom dappled with light through walls of windows, we were at once reminded of Lerner’s love of design. Sculpture, paintings, furniture, books, a well-worn wooden conference table, the scale of the room, the smell of coffee, this room was now set as a stage for star-struck students to talk about the dramatic differences they observed on the streets of Curitiba. They had seen films about the city, but today there was a palpable sense of connection to Curitiba and its people. When Lerner walked into the room, his warm voice welcoming us as fellow workers, we began collecting wisdom and memories. “Don’t,” insisted Lerner, “get stuck in your own bureaucracies.” Getting mired in the inertia of municipal planning practice was something he knew how to avoid, and his legendary transformation of Rua XV de Novembro (15th of November Street) is an iconic example. Lerner wanted to turn this auto-centric street into a people-centered place and, not wanting to wait for a lengthy study and design process to interfere with his experiment, ordered his public works department to close the street and pave it with cobblestones the following weekend. The street has been closed to automobiles ever since, and is a bustling place of commerce and culture. It is also an example of Lerner’s concept of “Urban Acupuncture,” which is the title of Lerner’s book being published this fall with support from Knight Foundation.
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    The AIGA Space in Old City seems strangely devoid of art this month, but that is not due to a lack of content. April serves as AIGA’s month to step outside of the cube of white walls and explore a slightly different method: an almost entirely digital, web-based show entitled...
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    By Eric Mullis, Triptych Collective Since the Triptych Collective’s artistic home is in a former mill village in Charlotte N.C., last summer I started doing extensive research into southern textile mill culture. I wanted to know who worked in those factories and lived in the small mill houses, what their...
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    By Christina Catanese, The Schuylkill Center for Environmental Education We are thrilled to announce the four resident artist projects for our new LandLab residency program. Launching this spring, LandLab projects will create innovative, art-based installations that prevent or remediate environmental damage while raising public awareness about our local ecology. LandLab...
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    The ultimate purpose of the Fired Works Ceramics Exhibition and Sale is to raise funds, preserve history and support artists. This year commemorates nine years of almost 100 ceramic potters connecting with the Macon community via their presentation, products and skills. The event draws people from all over that flock...
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    Photo credit: Marvin Shaouni. Our mission at Knight Foundation is to help people become informed and fully engaged in the lives of their communities so that democracy will thrive.  But what does it mean to be fully engaged? Does it mean helping a neighbor?  Wearing the colors of your favorite local sports team? Attending a neighborhood festival or local arts event?  Volunteering for and donating to good causes? Staying current on local issues? Expressing your point of view on social media or in a letter to the editor? Voting in local elections? It could mean all of that and more. But for argument’s sake, we can likely agree that sure signs of full engagement in a community would include knowing that a majority of community members who are eligible to be citizens are citizens; who are eligible to vote are registered; cast a ballot in local elections and feel informed about their choices; and feel responsibility for the civic commons and express that in a practical way. Unfortunately, we know that few communities attain this level of engagement. One sign is most telling: While voter turnout in presidential elections rose to 57.5 percent in the 2012 election, the typical turnout for recent mayoral elections in large U.S. cities is a mere 25.8 percent.  And the future doesn’t look particularly promising, with market research showing that today there is very little overlap between those who always vote in local elections and young, college-educated citizens. What can be done to nudge behavior to encourage engagement?  Rather than the exception, how can robust acts of citizenship become the default behavior?