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    The 3rd Annual Artistry in Rhythm Dance Conference: Engaging the Community (A.I.R Dance Conference) is an academic dance conference that's open to Middle Schools, High Schools, Colleges and the community. A.I.R. The conference features master dance classes, lectures and performances from guest artists that explore the...
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    The 2014 Young Voices Monologue Festival was greatly expanded this year thanks to Knight Foundation. One component of the expansion was a Pre-Festival tour in October 2013 that took past winning monologues into 13 high schools around the Philadelphia area, inspiring over 875 students with the work of their peers...
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    By Angela Coleman, Philadelphia Young Playwrights Philadelphia Young Playwrights, in collaboration with InterAct Theatre Company, opened the 2014 Young Voices Monologue Festival March 19-29 to 14 packed houses of student and public audience members. The festival featured professional productions of 18 winning high school students’ monologues chosen from over 400...
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    Higinio O. Maycotte is CEO of Umbel, a company that uses data to increase publishers’ understanding of their audiences and online advertising revenue. Knight Foundation supports Umbel through its Enterprise Fund. Curiosity drives journalism. Questions are the foundation of the industry. And attaining knowledge for your reader, knowledge they otherwise wouldn’t have been able to gain themselves, is what makes media so valuable. The influx of digital media has made the sharing of this news and information even better: serving up content in real time that readers come to rely on. Yet, digital media sites struggle to maximize the bottom line in the same way their print counterparts do — and it all comes down to advertising and eyeballs. For print, advertisers pay for longevity and placement, and ad views are often marked up three times for each print buy — accounting for the eyeballs that will see the ad as the purchaser reads it on the subway, as friends pick it up off the coffee table and flip through it, and no doubt for the countless many who scan the pages while waiting in line for groceries.
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    David Russell, Anne R. Belk Distinguished Professor of Violin. In the Anne R. Belk Theater of Robinson Hall, J.S. Bach’s Brandenburg Concertos No. 3 and 6 will be performed at UNC Charlotte as part of the University’s Faculty and Friends Concert Series. On Wednesday, April 9...
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    Strategic communications is about reaching the right audience with the right message, says Knight Foundation’s communications director Anusha Alikhan. When done well, it successfully advances the goals of an organization. It also takes into account any potential challenges and opportunities. Alikhan says that successful communications plans adhere to three basic tenets: “First, be consistent. Second, know your audience. Third, always measure your impact.” We recently talked with Alikhan to get her advice on how nonprofits and startups can create targeted messages and how they can avoid common stumbling blocks. She also shares how growing up as the daughter of a diplomat helped shape her own view of diverse communities. Why is it important for Knight Foundation to invest resources in strategic communications? A.A.: Knight takes a unique approach to communications. Similar to our grant-making, we are not afraid to be bold and try new approaches. We see communications as an important way to advance social change and spread new ideas. Our mission focuses on getting news and information to communities to help strengthen democracy. We use communications as a way to help put the projects we fund into the hands of people so that they can use them to shape their own communities. That means we need to make the public aware of the funding opportunities available through Knight. It also means attracting a wide and diverse community of grantees so that we can constantly surface good ideas and help spread them. RELATED LINKS Lilly Weinberg, exploration enhances her understanding of Knight communities Marie Gilot: How people practice journalism is as important as the content Tatiana Hernandez: Art is joy George Abbott: Everyone can be engaged in improving their community Jon Sotsky: Use assessment to add value, not prove it Ben Wirz on providing venture funding for media innovation Bahia Ramos feels the beat of local communities in her grantmaking Benjamin de la Peña considers the future of cities and the power of philanthropy You spend much of your time shaping messaging and pitching stories about our grantees to journalists. What advice would you give to Knight grantees that are better trying to market themselves? A.A.: My overall guidance would be that effective media relations still relies on good storytelling—using a compelling narrative to emphasize who or what is going to benefit from your idea. At the same time the opportunities to tell those stories has changed fundamentally. The Internet and social Web has disrupted communications as much as any other field. That means you may not be going after the biggest outlets like The New York Times anymore, but rather you now have the opportunity to tap into a much wider network of specialized news sites, bloggers, social media enthusiasts or publications to help get the word out about your project. Keep in mind that whatever news you put out there isn’t going to go away, so you need to be very clear about your messaging and prepare to respond to feedback—good or bad. Can you give us an example of grantees that have done this well? A.A.: Code for America is very good at storytelling. They do a lot of diverse work but do a good job of connecting their initiatives across the board and to their overall mission of engaging people in civic participation. Matter also recognizes communications is important for getting the word out about their initiatives. Whenever they have a milestone, they’ll connect with us to help them think about opportunities. They have also engaged successful public relations efforts beyond their coordination with Knight and do a great job at leveraging their partnerships.
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    Even if you happened to catch the dizzying preview to this year's Cinedelphia Film Festival at PhilaMOCA on April Fool's Day, you still may not know what the city is in store for this month, or at least you may not be able to put it into words. The hour-and-change...
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    Above: Children enjoying a walk in El Pueblo, Los Angeles. Photo credit: 8-80 Cities. As a passionate advocate for cities, Gil Penalosa has been on my radar for a long time.  His work as commissioner of parks, sport and recreation in Bogota, Colombia, is legendary. And as a regular at Miami’s monthly Critical Mass bike ride, I am envious of cities that have adopted his Ciclovia model of declaring certain streets as “car-free” each Sunday, allowing cyclists, skaters and pedestrians to take over. RELATED LINK "Forum convenes community leaders to move cities from talk to action" by Gil Penalosa on KnightBlog.org Now, Gil does this work every day as the executive director of the nonprofit 8-80 Cities, and Knight Foundation is going to help with that outreach. Last year, Gil and I connected at the Adaptive Metropolis conference at University of California Berkeley. His compelling presentation on the need for 8-80 cities — cities that work for people from ages 8 to 80 — made me want to bring his message to Knight communities. Fast forward to June this year in Chicago where 200 urban influentials, many from Knight communities, will gather to draft local blueprints for applying the principles of 8-80 Cities in their communities. Teams made up of city officials, nonprofit leaders, funders and business groups will spend three days learning from a stellar lineup of speakers and each other. They will also have an opportunity to experience open-air concerts and dancing in Chicago’s Millennium Park. All 26 Knight Foundation communities have been invited to attend the “The Doable City” forum, and the response has been uniformly enthusiastic.
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    Detail of Ana Mendez's "The Fortress." Ana Mendez has done some exciting stuff in her young career. One of the new generation who blurs lines among disciplines, it’s hard to shoe-horn her work into any one category. She is a performance artist and trained dancer, and...
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    Hunter Franks, an artist and founder of the Neighborhood Postcard Project and League of Creative Interventionists, is in Macon, Ga., for three weeks using creativity to build community with Knight Foundation support. Photo credit: Hunter Franks. Ten-year-old Kefa saw a sign that contained the word “party” and she knew just what to do — join in. The sunshine poured over Macon’s Tattnall Square Park as I hosted a Neighborhood Postcard Project Party. The project collects personal positive neighborhood stories from residents and mails them to residents in another neighborhood to break down stereotypes and foster connection. In addition to collecting stories at events, I had partnered with Groundsource, a mobile engagement tool, to collect neighborhood stories via text message and phone. Now those responses were going to be turned into postcards so they could be sent out. RELATED LINKS "Postcards and play connect communities in Macon, Ga." by Molly McWilliams Wilkins on KnightBlog.org  "Breaking down social barriers with stories: The Creative Interventions Tour in Macon, Ga." by Hunter Franks on KnightBlog.org As her brothers played on the swings nearby, Kefa walked over and said she had seen the sign that said Neighborhood Postcard Project Party and asked if she could participate. She was wearing a pin with the South African flag and a ribbon on it and when I asked about it she said she had visited several years ago. Another one of the participants, Jen, who is a professor at Mercer University, told Kefa she had also been to South Africa and they began to chat about cities they had visited. Kefa and Jen, who normally wouldn’t cross paths, much less find out they had both been to the same foreign country, did just that. Provide a safe, fun, and creative way for people to come together and they will find that they are much more similar than they are different. This is what I’ve been working to create for the past three weeks in Macon. Members of the brand new Macon League of Creative Interventionists and I transformed a temporary construction wall downtown into a giant chalkboard with the prompt “I love Macon because…,” inviting passersby to add what they love about their city. I watched as a wall that people normally walk by without any thought became a place for people to stop, take photographs, read what others wrote, add their words, and take collective pride in their city.