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    By Sarah Braverman, Fringe Arts FringeArts is committed to celebrate new and emerging art ideas, to reveal what is yet to be discovered, to challenge expectations, and to support artists while serving our city as a cultural hub. We’re excited to share the news that WetLand presents the opportunity to...
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    By Emily Parkinson, Miami City Ballet After visiting a rehearsal at Miami City Ballet studios, New World Symphony (NWS) fellows began meeting regularly with a group of our dancers to examine the relationship between sound and movement, resulting in a creative exchange between the talented young artists. Corps de ballet...
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    Miami Mini Maker Faire, a Flickr set by Michael Bolden Knight Foundation supports the Miami Mini Maker Faire and Maker Saturdays to connect talented people in a creative environment that stimulates new ideas. Below, organizer Ric Herrero, co-founder of MIAMade, writes about the maker movement here in South Florida. Miami is a DIY town. It’s long tradition of do-it-yourself ingenuity and tinkering is part of the reason why Kauffman Foundation ranks the city No.1 in the country in per capita entrepreneurial activity. A growing number of local entrepreneurs young and old are starting businesses making things, either embracing classic craftsmanship or using technology to hack traditionally “non-tech” goods into something new. 3-D printing has become more present; former hobbyists and do-it-yourselfers now call themselves makers; and schools around the county are seeking creative ways to integrate experiential STEAM learning into their curriculums. Yet it remains difficult for makers and innovators to build their ideas here. It is harder than it should be for them to connect with their peers and find valuable mentorship opportunities and support services.    We at MIAMade seek to bring this community of makers together and introduce their wonderful creations to consumers and the wider community. Through the Miami Mini Maker Faire supported by Knight Foundation, we provided makers with a highly visible, annual platform that they can coalesce around, eagerly anticipate together, and begin to build community. But that’s just the beginning.
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    Above: Robert Redford and Sibylle Szaggars Redford at the Young Arts Salon Series Wednesday night. Photo credit: World Red Eye.  Winning hearts is half the battle when it comes to saving the environment, and art can be one of its strongest allies. That’s the message iconic Hollywood actor Robert Redford and his wife, artist Sibylle Szaggars Redford, delivered to a crowd gathered at the headquarters of the the National YoungArts Foundation in Miami Wednesday night. The event, moderated by Dennis Scholl, Knight Foundation’s vice president for the arts, was the second in the YoungArts Salon Series, which brings together renowned creative minds to discuss issues about the cultural landscape and to interact with the audience. That interaction actually began the night before at the YoungArts’ Biscayne Boulevard campus, the former Bacardi Museum and Tower, with the world premiere of “The Way of the Rain Miami.” The collaborative artistic performance pays tribute to the Earth and—through abstract art, dance, film, music and words—calls attention to the damage being caused by man. Directed by Sibylle Redford, it also starred YoungArts alumni, other Miami artists and her famous husband, a longstanding environmentalist, in a special reading. The artist was born in Germany and had a successful career as a trader before turning to art full time. The seeds of the project were planted last year, with an earlier and less elaborate version of “The Way of the Rain” presented in Albuquerque, N.M., where the Redfords own a home. The desert landscape and its weather inspired the artist, who then expanded the scope of the work originally created with David Thor Jonsson and adapted it for Miami. “So, what we did last night, what we tried to convey, is a tiny, tiny little drop,” Sibylle Redford said during the YoungArts Salon. “But I believe there is a chance to save this planet.” The couple admitted that chance faces many obstacles, from money pressures to political interests, but Redford considers change inevitable.
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    Knight News Challenge video series RELATED LINKS "Towards a stronger Internet" by John Bracken and Chris Sopher on Knightblog.org "Our future's Internet strengthened today" by Jenny Toomey on KnightBlog.org "A $2.75 million challenge to create a more open Internet" by Mark Surman on KnightBlog.org "Refusing to unlearn a free and open Internet" by Shazna Nessa on KnightBlog.org "4 most common News Challenge questions answered" by John Bracken on KnightBlog.org There are about 100 hours left to apply to the Knight News Challenge, which is looking for ideas that answer the question: “How can we strengthen the Internet for free expression and innovation?” Entries using our (brief!) submission form are due March 18 by 5 p.m. ET at newschallenge.org. The contest is open to anyone, anywhere. We will consider both for-profit and nonprofit projects. And for the first time in the Knight News Challenge, we’re open to ideas beyond technology, including research, journalism, policy and education. In other words: anything that might help build a better Internet. The best ideas, which we will announce in June, will win a share of $2.75 million, including $250,000 from Ford Foundation. For the first time, the News Challenge winners’ pool will also include Prototype Fund grantees; we'll be awarding $35,000 grants through the challenge for early-stage projects. We’re looking forward to reading your ideas!  John Bracken, director of journalism and media innovation at Knight Foundation, and Chris Sopher, journalism program associate at Knight Foundation.
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    "Inside the Minds of The New York Times" with guests Mark Thompson and Arthur Sulzberger Jr.  The panel was moderated by Alex S. Jones of the Shorenstein Center on Media, Politics and Public Policy. Photo credit: Gabe Palacio. Mobile apps for people who cook. Streaming video of charismatic reporters. Informational graphics and other tools, from an evolving digital arsenal, that quickly encapsulate the story or serve as a sidebar to long-form articles. Those are some of the storytelling techniques The New York Times is using to stay abreast of change in an evolving media world, according to its Publisher Arthur Sulzberger Jr. and President and CEO Mark Thompson. The two executives delivered an overview of the efforts underway at the Gray Lady to key players from global philanthropy, entertainment, government, the news business, Wall Street and other spheres during the third Media Minds breakfast sponsored by Knight Foundation, with media partners Gannett and USA Today. The series, which began last year, features conversations with news industry leaders. “The missing airliner? When you start looking at a map … you get a clearer sense of what’s involved in the task of searching,” Thompson told that audience, noting the difference an interactive infographic can make in conveying this ongoing story. He continued:  “The heart of this is really trying to figure out how video [and other mediums] can work alongside … the experience of reading the best written journalism in the world. How does it complement? How does it enrich? How does it expand?” Thompson, former chief executive for the British Broadcasting Corp., joined The New York Times in 2012 to lead a revamp of the company’s overall business strategy. He has been credited with keeping his former employer on the cutting edge technologically, steering such groundbreaking projects as free digital TV subscriptions and paid, on-demand video services at the BBC. Each week 95 percent of United Kingdom residents tune in somewhere along the BBC’s line-up of television, radio and online news and entertainment stations and sites, on average for about 19 hours, he said.
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    'Deep City' trailer from Knight Foundation on Vimeo. Well before Miami Sound became a brand name, there was a Miami sound. It came together in the mid ’60s and it was soul and funk as only Miami could make it. It was raw and gritty. It was built on the sanctified grooves of church and street life, the brash sound of marching bands and the lilting cadences of the Caribbean. And because it was performed by local musicians, black and white, but also players from Alabama and Georgia but also Jamaica and the Bahamas, it had an accent all of its own. It was the sound of Miami  — and Deep City Records was its Motown. “Deep City: Birth of the Miami Sound,” a documentary film directed and produced by local filmmakers Marlon Johnson and Chad Tingle and Dennis Scholl, is a valentine to the people, and the community, that created that music. It premieres in South Florida at the Miami International Film Festival on Friday, March 14, at 8:30 p.m. at the Olympia Theater. “I’m a native of Miami, born and raised,” says Johnson. “Dennis is from here; Chad has been living here for the better part of two decades now. These are stories told by Miamians, about Miamians for the world at large, and we felt this was an important story to tell. For me, it was an affirmation of some of the things I’ve always known about the city.”
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    The McColl Center for Visual Art. The McColl Center for Visual Art’s winter session is coming to a close, which means that current Artists-in-Residence (Alix Lambert, Elizabeth Lasure, Crystal Am Nelson, Ivan Toth Depeňa and Jason Watson, as well as Affiliate Artist Linda Luise Brown) will...
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    Photo credit: Flickr user Tom McCabe. Tyler Fisher is a news app developer at NPR and a student fellow at the Northwestern University Knight Lab. Below, he writes about the theme of the first Knight News Challenge of 2014: How can we strengthen the Internet for free expression and innovation? We should not have to ask the question, how can we strengthen the Internet for free expression and innovation? From its inception, the Web’s creators designed it as an open medium for free expression and innovation. In Nieman Lab’s sprawling “Riptide,” Tim Berners-Lee reminisces on why he invented the whole thing in the first place: “Every time you thought of something, then you’d put it [on the Web], and I’d pretty much see it, so that you and I, our brains, would be in equilibrium, because we’d be in equilibrium with the web.” RELATED LINKS "Towards a stronger Internet" by John Bracken and Chris Sopher on Knightblog.org "Our future's Internet strengthened today" by Jenny Toomey on KnightBlog.org "A $2.75 million challenge to create a more open Internet" by Mark Surman on KnightBlog.org "Creating safe spaces for innovation on the Internet" by Kwasi Asare on KnightBlog.org "Refusing to unlearn a free and open Internet" by Shazna Nessa on KnightBlog.org "Innovating to create comprehension of big data and the Internet" by Higinio O. Waycotte on KnightBlog.org "4 most common News Challenge questions answered" by John Bracken on KnightBlog.org Equilibrium is the key word: All ideas and people were balanced in Berners-Lee’s original concept of the Web. But if you ask him about today’s version, as Wired UK did in February, his tone is different: “I want a web that’s open, works internationally, works as well as possible and is not nation-based. … What I don’t want is a web where the Brazilian government has every social network’s data stored on servers on Brazilian soil.” When the inventor’s description of the state of the invention contradicts the intention, something went wrong. Berners-Lee seems primarily concerned with government spying and control of the Web, not the monopolization of the Web by major tech companies. But both are major problems. Even if we achieve a decentralization of the Web and reclaim personal privacy, younger users of the Web — my generation — won’t know how to use it. We grew up with a centralized Web. MySpace, AOL Instant Messenger, Facebook, Gmail — these services weaned us and provided us everything we needed. Why would we leave? So, how do we get younger users of the Web to understand the importance of a decentralized Web that strengthens free expression and innovation? It’s not about making the best WYSIWYG tool out there. Making decentralized services that are actually a pleasure to use is a great goal, but creating a population of the Web that understands why these services are important matters more.
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    History, whatever we may think of it, is always a fragile and fractured amalgamation of facts and fictions that we construct in an attempt to explain where we come from and where we will go. Dancer and choreographer Niurca Márquez takes on history in her new work, “The History House,”...