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ArticleBy Teatro del Pueblo Teatro del Pueblo and Pangea World Theater are proud to have been chosen to receive the prestigious 2012 Joyce award to commission artists of color to create new works that reflect the intersections between the Latino and Asian communities. The Joyce award comes with a $50,000...
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ArticleBy Brett Hudson My colleagues and I who are part of Knight’s Technology for Engagement Initiative are at the TED conference this week in Long Beach, Calif. TED convenes some of the greatest minds around the globe to explore ways to foster a more informed, collaborative and innovative society. These goals are at the core of Knight’s Tech for Engagement Initiative, which funds digital technologies that inspire civic dialogue and collective community action. Leaders of several of our funded projects are participating in TED. On Monday, Eric Gordon, who leads Community PlanIt, an online engagement platform for local planning efforts, led Knight’s TED Master Class called “3 Tools for Democracy in the Digital Age.” The class included a lively discussion with the TED Community on tools that place citizens at the center of decision-making in their communities. Paula Ellis, vice president/strategic initiatives at Knight Foundation, who led the master class, reports:
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ArticleMiami is a Latin American capital, including being a hub for Latin American art. So it is fitting that the arteaméricas fair is returning this weekend for its 10th anniversary showing. This year, the huge fair will feature a special tribute to the works coming out of Argentina, with galleries...
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ArticleShelley Spector’s show “Dreck Groove” in the Esther Klein Gallery at University City Science Center is as much a statement about the environment and consumption as it is a study in abstraction and fiber art. The name is a take on the Yiddish word “dreck” which generally means rubbish, while...
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ArticlePhoto Credit: Flickr User Jason A. Samfield Note: To apply for the News Challenge, and read our FAQ, visit NewsChallenge.org. A friend recently wrote that “open-source licenses are one of the most confusing things on the planet.” We see a need to better explain the open source rules for the Knight News Challenge, and our rationale for developing them. A couple of recent Twitter threads make it clear that there are outstanding questions about our policies. At Knight Foundation, we are fans of open source software. Our mission as a foundation is to inform and engage communities. We want the tools and platforms that we fund to be widely used. We believe projects built using open source code are more likely to spread, and be built upon, than those that rely upon proprietary software. Panda and Overview , two projects supported through the 2011 News Challenge, are now open for developers to work on. Earlier this month, our collaboration with Mozilla Foundation relaunched as OpenNews, and “is about helping journalism thrive on the open Web.” All told, we’ve provided support to some 76 open source projects since the News Challenge launched in 2007. One criteria we use when selecting Knight News Challenge winners is potential social impact. We think that the use of open source code is a key part of achieving that impact. However, as my colleague Jose Zamora recently wrote (and as the head in the wall points out partway through this video), we will also accept proposals that use other licenses or proprietary code. To be clear: we prefer projects that are open source. But if you or your company have a rationale for a non-open source project, we will consider it. Each year, we receive questions, and criticism, about our use of the General Public License. This year, some have again argued that we have chosen the wrong open source license. For now, GPL is the standard license we’ve selected to offer to our grantees. We are also open to consider other licenses on a case-by-case basis.
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ArticleLast November, Miami City Ballet received a Knight Arts Challenge grant to support the ballet’s new works fund. Knight recently interviewed Pamela Gardiner, Executive Vice President, Artistic Affairs, at the Miami City Ballet to learn more about why it’s important to commission new works and how they’re approaching their efforts...
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ArticleDuring a Mobilize.org summit in San Jose, students use interactive keypad voting to discuss what policy makers, college faculty/administrators and students themselves can do to improve college completion rates in their community. In communities across the country, Mobilize.org empowers and invests in Millennials to create and implement solutions to social problems. With support from Knight Foundation, the organization is bringing its Millennial-led engagement efforts to five Knight communities: Detroit, San Jose, Charlotte, Philadelphia and Miami. Recently, Maya Enista Smith, CEO of Mobilize.org talked with Knight about the project at the Gathering of Leaders in Miami, which brings together social entrepreneurs to help them accelerate social change. Knight Foundation: Mobilize.org’s mission is to empower and invest in Millennials to create and implement solutions to social problems. What is your programming model? Maya Enista: Our model is to convene, invest and train in this generation of leaders to solve the problems that they face in their communities. We believe that young people are best equipped to solve these problems and it is our role to support them. For example, we recently convened a group of 100 community college students in San Jose, Calif. to talk about the obstacles that they face with respect to community college completion. We provided the students with the opportunity to work collaboratively to propose solutions to those challenges and asked them to compete for a share of $25,000 to identify and support the most innovative solutions. Now with Mobilize.org funding, undocumented students that face financial and emotional challenges will have a place where they can go to talk to someone, print their papers, use the Internet and gain moral support with peers. A mentorship and counseling program will also help foster care children properly transition into college life, and video and editing support will be available for student organizations on campus who are doing good work but who have trouble making their ideas and solutions visible. All of the winning project descriptions are available online.
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ArticleOnly in Detroit could a music club be open twice a week and stay in business, but that’s the beauty of Cafe D’Mongo’s Speakeasy, an enduring and idiosyncratic hub of culture downtown. The club’s owner — Larry Mongo — insists on being...
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ArticleBy Julie Sand, TU Dance In August 2011, and with significant support from Knight Foundation, TU Dance launched its educational programming with its first-ever Summer Intensive at the new TU Dance Center in Saint Paul. Artistic Directors Toni Pierce-Sands and Uri Sands welcomed over 40 students, almost one-fourth of them...
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ArticleBy Sebastian Spreng, Visual Artist and Classical Music Writer Dawn Upshaw defies all definitions, particularly that of “lyric soprano” simply because her voice is many voices. She was named a Fellow of the American Academy of Arts & Sciences and in 2007 she won the MacArthur Fellowship, the first classical...
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ArticleEvery midwinter, legions of artists and arts supporters from around the state head to downtown St. Paul for a day at the capitol, lobbying state legislators about issues important to the Minnesota arts community. The time has come around again: this Wednesday, Feb. 29, is Arts Advocacy Day 2012. This...
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ArticleBy Melissa Harris, Aperture Foundation James Klosty traveled with and photographed the Merce Cunningham Dance Company (MCDC) from 1967 to 1972. As the partner of dancer Carolyn Brown, he had unprecedented access to Cunningham, John Cage, and the Company as a whole, and his stunning photographs—first published in his 1975...
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ArticleWhether Russian films or music by Russian composer Peter Ilyich Tchaikovsky, the Ulysses Spring Festival of the Arts is about all things Russian. The culture, art and music are expressed through a number of different venues — the combined creative efforts of many Charlotte arts organizations throughout the month of...
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ArticleNote: To apply for the News Challenge, and read our FAQ, visit NewsChallenge.org. Today, and for the following 19 days, the Knight News Challenge is open for business. The theme of the challenge is Networks. The most common question I’ve been asked since we announced the challenge is exactly what we mean by Networks. We’re trying not to define the term too narrowly, but I thought a look at David Sarnoff, the creator of the broadcast network in the U.S., might provide some insights into our motivations. (We’re launching the Networks challenge on the anniversary of Sarnoff’s birthday, coincidentally.) In the 1950 film Mid-Century: Half Way to Where?, Sarnoff foresaw the coming “pocket-sized radio instruments [that] will enable individuals to communicate with anyone anywhere.” According to Cisco, the number of those “pocket-sized instruments” will equal the number of people on the planet by the end of the year. David P. Reed later extended “Sarnoff’s Law” (a broadcast network’s value is proportional to the number of people it reaches) to make the case that networks can scale exponentially. Today’s communications networks are different from the broadcast tower and its one-to-many reach. The Internet, and the mini-computers in our pockets, enable us to connect with one another, friends and strangers, in new ways. Witness the roles of networks in the formation, coverage and discussion of recent events such as the rise of the Tea Party, flash mobs, the Arab Spring, last summer’s UK riots and the Occupy movement. We’re looking for ideas that build on the rise of these existing network events and tools - that deliver news and information and extend our understanding of the phenomenon. Anyone - businesses, nonprofits, individuals - can apply. On the application form, we’re asking you seven questions - about you, your idea, the problem you want to attack and the network you want to leverage. We’re not asking for business plans or budgets - those questions will come later. For now, we want to hear a concise description of what you want to do. To encourage your brevity, we’ve listed word limits for each question. We won’t reject your application if you go over the limit - you can write 203 words instead of 200 on why you think your idea will work. But the ability to successfully convey thoughts with precision is a criteria we will use in reviewing the applications.
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ArticleBy Dana Bassett, Roofless Records 11 "So Roofless" moments from 2011... Recipient of the Miami New Times 2011 Mastermind Award in the SOUND Category Experience Sobriety CD + Book Release (3-05-11). The President...