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    Jonathan K. Rice, editor of the Iodine Poetry Journal, describes the monthly readings at Green Rice Gallery as a “Great confluence of poetry and art.” M. Scott Douglass, the owner of Main Street Rag, describes these gatherings as a little different than...
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    An instrumental juggernaut. That is just one of the many adjectives used to describe the sonic vibe of Miami-based duo Fight Like Animals. The duo, comprised of producer/ guitarist Brett Flaherty and primary songwriter/ guitarist Rostislav (Steve) Vaynshtok, layer an arrangement of beats and synthesizers with rhythmic guitar riffs, which...
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    Paul Myoda's "Glittering Machines" has been extended at the Dorsch Gallery. Fantastic idea. These light works, in both the front space and the darkened room behind, are activated by sensors. They move, jump, make noise and cast different shadows, depending on where...
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    Last fall the PlayGround Theatre received a $100,000 Knight Arts Challenge grant to produce the world premiere of The Red Thread, a children's play based on an ancient folktale and designed to foster an understanding of Chinese culture. An estimated 16,000 children, teachers, family members and others will make up...
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    Keep your eyes (and more to the point, your ears) on the 2:1 Gallery, a new art space in an old building in Detroit’s Eastern Market district. Under the guidance of Gregory Holm, one of the artists responsible for last year’s "Ice House Detroit" project, the space is currently serving...
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    During last year’s mid-term elections, the Knight-funded Wesleyan Media Project provided real-time analysis of the 1.6 million political ads aired on behalf of state and federal candidates. Together they cost a record breaking $735 million – and comprised the most negative campaign in history, the project found. Tomorrow at 10 a.m. EDT, watch online as the project’s leaders delve into how they went about their analysis. The seminar is being livestreamed here. Knight Foundation President and CEO Alberto Ibargüen, a Wesleyan alum, will speak along with Assistant Government Professor Erika Franklin Fowler.
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    In 2008, Knight Foundation launched the Knight Arts Challenge in Miami, a five-year, $40 million initiative to support the most innovative and transformational arts ideas in South Florida. Since then, 78 grants have been awarded to a range of projects, everything from live concerts to ballet, film festivals and opera performances. In November, we’ll announce the 2011 Challenge winners, marking the initiative’s fourth year. 2009 Knight Arts Challenge winner, the Miami Downtown Development Authority As we approach this milestone, we’re going to be taking a deeper look at the contest’s impact to date on the Miami community. We’ve partnered with AEA consulting, one of the world’s leading cultural consulting firms, to assess the extent to which the Challenge has selected and nurtured high impact projects, helped attract new capital into the arts through its matching-grant requirement, and contributed to the overall vibrancy of the cultural sector. We hope that this interim review will provide winners and individuals involved in the arts with useful insights, and provide us with feedback to help strengthen the initiative. The Challenge was conceived as a way to draw out and amplify good ideas about the arts from the community, showcase the best and invest in them. In short, it was hoped that a community-wide contest, open to everyone, would fuel Miami’s zeitgeist. In the assessment, we’ll be taking a look at the extent to which the Challenge has contributed to the growing momentum in the arts sector – by engaging residents who were new to the arts, helping Miami become a more supportive place for artists to live and work, and bringing together diverse communities. We’re going to be conducting interviews and surveying winners, finalists, applicants and sector leaders to hear directly from the community about the impact of the contest. In the coming months, we’ll be sharing our findings in a series of blog posts, and releasing the interim assessment results in the fall. As we get the assessment underway, we’re interested in ways you think we should be reviewing the contest or the kinds of questions you think we should be asking. If you have any ideas that you’d like to share with us, please get in touch. Crossposted from KnightArts.org
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    This weekend is a great time to check out “NoDa” and experience, first hand, what happens when artists and businesses work together to give an historic Charlotte neighborhood yet another life. This Thursday, Friday and Saturday there are various offerings to stimulate...
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    The finalists for the 2011 Knight Arts Challenge Miami were recently announced and at least one local community is buzzing with excitement. Miami's dance community represents eight of 56 spots - an achievement recognized by Knight-funded Artburst Miami, Miami's media bureau for the arts. Artburst editorial director Celeste Fraser Delgado...
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    This post is the third in a series about a Knight Foundation roundtable that brought together news start-ups and tech entrepreneurs. A report is forthcoming.  Journalists are notoriously averse to math, but there’s no equation in which nonprofit news organizations can survive for the long term without a steady mix of revenue.  The more diversified a revenue portfolio, the greater promise of stability. So the business objective for local news nonprofits has moved beyond foundation grants and major giving to multiple revenue streams. How best to get there was a central question at the Knight Foundation’s May 6 roundtable meeting of nonprofit news organizations, tech entrepreneurs and researchers.  Generally...
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    Out in the Tropics, a different kind of performing arts festival produced by FUNDarte, will turn South Florida upside down with a diverse group of award-winning, contemporary gay, lesbian, bisexual, transgender and queer artists and arts events June 9 through 19, 2011. This year's Out in the Tropics will include...
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    By Stephanie Norman, Producing Artistic Director of City Theatre Summer Camp. Those 2 words conjure up so many personal memories of late night whisperings, day time activities of swimming, boating, arts & crafts; new friends, bug juice, peanut butter and honey sandwiches, camping, bugs, bugs, bees, big skies of glittering...
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    Over time, we’ve noticed a growing myth about media grant making – that the outcomes aren’t quantifiable, that it doesn’t produce a tangible, measurable impact. In a new report, the International Center for Journalists offers 20 plus reasons to the contrary. That’s how many changes to government policies were brought to bear by the work of fellows. For example, in Kenya, a series on shoddy care in public hospitals resulted in $7.5 million to improve care; Indonesia, a series on medical waste prompted the government to order hospitals to build their own wastewater treatment facilities; and in Peru, after crimes by unlicensed cab drivers are exposed, taxis were required to show official identification How did 19 fellows accomplish so much in such a short time? ICFJ made major changes to its flagship program, the Knight International Journalism Fellows. The center extended the fellowships to at least a year, recruited international fellows and targeted developing countries where the opportunity for impact was greatest. Along the way, we also made some important discoveries about what works: Strong journalism skills are not enough to ensure a fellow’s success. The most effective fellows are entrepreneurs with solidmanagement skills needed to lead complex projects in difficult environments. High-impact projects need a strong commitment from local partners. We need to get buy-in, not just from top management at our partner organizations, but also from those working most closely with the fellow. By putting their own resources into the project, local partners have a stake in its success. Projects are more likely to be successful in stable countries with a relatively high level of media freedom. Projects focusing on digital journalism are more likely to produce lasting impact. Mobile phones reach many more people in developing countries than other media. Authoritarian regimes tend to regulate traditional media more than the Internet. Fellows have greater success the longer they are in the field. But we ask only the strongest fellows to extend. Language fluency is essential for success. Previous experience working in a country is not. Innovations developed by Knight fellows can be replicated in other ICFJ programs. By sharing this report, we hope that others in the field can learn from it – and that they too will share their best practices and lessons learned. Eric Newton Senior Adviser to the President, Knight Foundation and Joyce Barnathan president, ICFJ