Jason Howard and Lauren Flanigan in the 2003 Seattle Opera production of Mourning Becomes Electra. Photo by Rozarii Lynch For sheer emotional extravagance and a vivid representation of the inexorability of fate, nothing quite beats a good Greek tragedy. Eugene O’Neill understood this, which is why in 1931 he offered to the public his massive […]
Article · November 6, 2013 by Gregory Stepanich